tag:blogger.com,1999:blog-68220930580430606472024-02-19T22:57:53.504-02:00whatsjazz"Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way: through the senses, theoretically, technically. I would talk to Monk about musical problems, and he would sit at the piano and show me the answers just by playing them. I could watch him play and find out the things I wanted to know. Also, I could see a lot of things that I didn't know about at all." - John ColtraneAugusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comBlogger48125tag:blogger.com,1999:blog-6822093058043060647.post-57842970222341619462012-05-31T12:40:00.000-02:002012-05-31T12:57:58.192-02:00HÉLIO DELMIRO: BLESSED, GIFTED & ENLIVENED MUSICIAN<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioB5BPycl3FmXS6nvrl1MBabYL2hPxTM5pzh6b8VAUeUbVeNnIjucXK53llNLqcEJQ5jpGdGm6glwVHG-qOQaM-fvKQcVUTkAtTJulyX3odf8D4Lx3B8_cpaLX48-qOyRY4HhZtiy8rjY/s1600/Delmiro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioB5BPycl3FmXS6nvrl1MBabYL2hPxTM5pzh6b8VAUeUbVeNnIjucXK53llNLqcEJQ5jpGdGm6glwVHG-qOQaM-fvKQcVUTkAtTJulyX3odf8D4Lx3B8_cpaLX48-qOyRY4HhZtiy8rjY/s640/Delmiro.jpg" width="441" /></a></div>
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<span style="font-family: Verdana, sans-serif; font-size: large;">Hi, fellows!</span><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Again I come to you my friends, to show you, one of the greatest living guitarits I know: Mr. Hélio Delmiro, a simple and introvert man, that speaks tha voice of God in his instrument. He appeared as a guest artist, in many great recordings of Elis Regina, like the amazing acoustic guitar we hear in "o bêbado e a equilibrista" (Charles Chaplin's "limelight") , like Mr. Fábio Zanon said about it, in his website: </span><br />
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<span style="font-size: large;"><span style="font-family: Verdana, sans-serif;"><span title="O aprendizado de helio delmiro se deu nos palcos e na prática, seus colegas dizem que ele é capaz de tocar com perfeição qualquer solo de jazxz piano que ele tirava dos discos">"Hélio Delmiro's learning was made in live performances and in practice, his colleagues say he is perfectly capable of playing any solo Jazz piano solo, by ear, as he took from the disks.</span><span title="mais tarde ele também estudou violão clássico com o intuito de refinar a sua técnica.">Later he also studied classical guitar in order to refine his technique. A</span><span title="uma influência forte foi o saxofonista Victor assis brasil com quem fez a sua primeira gravação."> strong influence was the saxophonist Victor Assis Brazil, with whom he made his first recording. </span><span title="Na época ele era apresentado como o novpo Baden Powell e já tocava guitarra elétrica o que aliás ele nunca tocou com palheta, sempre com os dedos.">At the time he was introduced as the "new Baden Powell", was playing electric guitar and in fact that he never played with a pick, always with the fingers. O</span><span title="ao longo dos anos 60, helio delmiro criou uma reputação intocável no circuito da música popular, acompanhando uma sucessaõ de cantoras famosas, especialmente clara nunes, com quem ele tocou por mais de dez anos, com elis regina também ele tocou por três anos muito intensos">ver the sixties, Helio Delmiro created an untouchable reputation in folk/popular music circuit, following a succession of famous singers, especially Clara Nunes, with whom he played for over ten years, with Elis Regina he also played for three very intense years </span></span></span><span style="font-size: large;"><span style="font-family: Verdana, sans-serif;"><span title="e participou de discos célebres e do festival de montreux de 1980.">and participated in famous recordings and in the Montreux Festival (1979).</span><span title="se o ouvido desavisado pensa que nunca ouviu a arte sofisticada de helio delmiro, se engana, é claro que a voz de elis regina é tão marcante que quase a gente não se importa em ouvir os outros instrumentos, mas por um momento tente prestar atenção no">If you think, that your ear has never heard a song from Hélio Delmiro's sophisticated art, you're wrong, it is clear that Elis Regina's voice is so marked that we almost do not care to hear the other instruments, but for a moment try to pay attention to the </span><span title="primoroso acompanhamento feito ao violão na faixa "o bêbado ea equilibrista" do disco - Essa Mulher (1979); aliás elis dizia que às vezes maneirava um pouco a sua voz, só para ouvír o acompanhamento do hélio.">tastefully done up guitar in the song "o bêbado e a equilibrista" (Charles Chaplin's "limelight") from the disk - This Woman (1979): Indeed Elis Regina softly turn down her voice a little bit, just to hear the guitar's follow-up of Hélio Delmiro. In the seventies</span><span title="nos anos 70, ele consolidou a sua reputação como músico jazzista e foi recebido como um gênio e gravou um disco com sarah vaughan e finalmente em 1979 lançou o seu primeiro disco solo chamado "Emotiva", em que toca violão ea guitarra elétrica.">, he has consolidated his reputation as a Jazz musician, and was hailed as a genius and recorded an album with Sarah Vaughan in 1979 and finally released his first solo album called "Emotiva" (soulful), in which he plays the acoustic guitar and electric guitar. </span><span title="Nos anos 80, Hélio delmiro se firmou definitivamente">In the eighties, Helio Delmiro established himself definitively </span><span title="no circuito internacional, a lista de suas parcerias é imensa e inclui lendas do Jazz, lançou discos solo frequentemente.">on the international circuit; the list of its partnerships is immense and includes legends of Jazz, and released solo albums frequently. </span><span title="Uma crise já se delineava para Hélio Delmiro, não é segredo que muitos músicos de Jazz se dissolvem na fumaça das mesas de bar, no álcool e nas drogas, então é preciso ter um pouco de monje, para um músico de Jazz trabalhar e passar ao">A crisis has loomed for Helio Delmiro, and is no secret that many Jazz musicians dissolve themselves in smoke from barroom tables, alcohol and drugs, then you need to be a monk yourself, to be a Jazz musician and to go to work </span><span title="largo de tudo isso.">off of it. </span><span title="Hélio Delmiro sucumbiu, quando chegou a um ponto crítico e "entrou" um monje dentro de si e converteu-se ao Cristianismo com tanto fervor, que se tornou Pastor e isso colocou um "pé no freio" de uma forma bem violenta na sua carreira">Helio Delmiro succumbed, when it reached a critical point and a monk "entered within himself" and converted him to Christianity, with so much fervor that he became evangelical Pastor and put a "foot on the brake" in a very abrupt way, in his career </span><span title="no final dos anos 80.">in the late 80's. </span></span></span><span style="font-size: large;"><span style="font-family: Verdana, sans-serif;"><span title="A volta foi gradual e penosa, pois ele, de uma certa forma tinha uma fama de "mandão", à que se somou a fama de prosélito (indivíduo convertido a uma doutrina, idéia ou sistema), o que incomodou muita gente.">The return was gradual and painful, for him, in a sense he had a reputation of being "bossy", which added to the fame of proselyte (convert to an individual doctrine, idea or system), which upset many people.</span><span title="No anos 90, porém ele voltou à carga, tocando com frequência no exterior.">In 90's, he returned to the charge, frequently playing abroad. </span><span title="Em 2004, um novo baque, um desacordo com sua ex-mulher, sobre a pensão dos filhos, acabou por levá-lo à prisão, em condições particularmente abjetas (infames), dividindo a cela com criminosos perigosos, então toda a classe musical brasileira">In 2004, a new jolt, a disagreement with his ex-wife on the board of the children, eventually led him to prison, particularly in abject (infamous) conditions, sharing a cell with hardened criminals, then all kinds of Brazilian musicians </span><span title="deu-lhe apoio, mas é claro que este episódio lhe abriu feridas grandes, que ele tratou de sará-las com a sua fé cristã.">gave him support, but it is clear that this episode has opened large wounds, which he attend to heal them with his Christian faith. </span><span title="hélio delmiro é unanimidade entre os colegas músicos, como um dos mais profusamente dotados instrumentistas da história do país, dono de uma habilidade improvisatória extraordinária.">Helio Delmiro is an unanimity among fellow musicians as one of the most lavishly gifted musicians of Brazilian's music history, as he owns a remarkable improvisational skills. </span><span title="Seus shows-solo parecem concertos clássicos, cujo comportamento sóbrio reflete bem a densidade musical ea técnica imaculada.">His solo appearances seems like classical concerts, whose behavior reflects sober and musical density and immaculate technique. </span><span title="É um homem de fina inteligência que evidentemente nunca deixa a sua arte ou as suas convicções pessoais passarem sem uma profunda auto-análise.">He is a man of fine intelligence ,which of course, he never lets his art or his personal convictions pass without a thorough self-analysis." </span></span></span><span title="É um homem de fina inteligência que evidentemente nunca deixa a sua arte ou as suas convicções pessoais passarem sem uma profunda auto-análise."></span><br />
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<a href="http://vcfz.blogspot.com.br/2008/09/140-hlio-delmiro-romero-lubambo.html"><span style="font-family: Verdana, sans-serif; font-size: large;">http://vcfz.blogspot.com.br/2008/09/140-hlio-delmiro-romero-lubambo.html</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Some internet videos by the great guitar master Hélio Delmiro:</span><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Elis Regina & Hélio Delmiro play "O Bêbado e a Equilibrista" (João Bosco/Aldir Blanc) </span><br />
<a href="http://www.youtube.com/watch?v=mcYCP1nEdUA"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=mcYCP1nEdUA</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Hélio Delmiro plays "Compassos" </span><br />
<a href="http://www.youtube.com/watch?v=QU3o1G-xTtM"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=QU3o1G-xTtM</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Hélio Delmiro plays "Autumn Leaves" (Joseph Kosma/Jacques Prévert)</span><br />
<a href="http://www.youtube.com/watch?v=EQaD-CZ_RoE"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=EQaD-CZ_RoE</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Hélio sings! and plays "Ilusão à Toa" (Johnny Alf)</span><br />
<a href="http://www.youtube.com/watch?v=A_TIw9w97No"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=A_TIw9w97No</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Sarah Vaughan & Hélio Delmiro play "A Little Tear" (Tom Jobim)</span><br />
<a href="http://www.youtube.com/watch?v=9Qos3vYyHbs"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=9Qos3vYyHbs</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Hélio Delmiro & Nana Caymmi play "Insensatez" (Tom Jobim)</span><br />
<a href="http://www.youtube.com/watch?v=moiP26Yc7TQ"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=moiP26Yc7TQ</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Hélio plays "Waltzin" (Victor Assis Brasil)</span><br />
<a href="http://www.youtube.com/watch?v=AUglOYh3B94"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=AUglOYh3B94</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Jane Mara & Hélio Delmiro sing! and play "Estrada do Sol" (Tom Jobim)</span><br />
<a href="http://www.youtube.com/watch?v=cxnrKTEe2RQ&feature=related"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=cxnrKTEe2RQ&feature=related</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Jane Mara & Hélio Delmiro play "Desde que o samba é samba" (Caetano Veloso)</span><br />
<a href="http://www.youtube.com/watch?v=HbFY61LpTqY"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=HbFY61LpTqY</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Jane Mara & Hélio Delmiro play "O Barquinho" (Roberto Menescal)</span><br />
<a href="http://www.youtube.com/watch?v=2h60XWDE_xA&feature=relmfu"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=2h60XWDE_xA&feature=relmfu</span></a><br />
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<span style="font-family: Verdana; font-size: large;">Liz Rosa & Hélio Delmiro play "Dindi" (Tom Jobim)</span><br />
<span style="font-family: Verdana; font-size: large;"><a href="http://www.youtube.com/watch?v=iSMMd4S-5CM&feature=related">http://www.youtube.com/watch?v=iSMMd4S-5CM&feature=related</a></span><br />
<span style="font-family: Verdana; font-size: large;"><br />Hélio plays "Beijo Partido" (Toninho Horta)<br />
<a href="http://www.youtube.com/watch?v=K2Mkdya3Mng">http://www.youtube.com/watch?v=K2Mkdya3Mng</a><br />
<br />Hélio Delmiro plays "My Favorite Things" (Richard Rodgers/Oscar Hammerstein)<br />
<a href="http://www.youtube.com/watch?v=ZwL-mRu-flY&feature=related">http://www.youtube.com/watch?v=ZwL-mRu-flY&feature=related</a><br />
<br />Hélio Delmiro & Simone play "Minha Namorada" (Carlos Lyra)<br />
<a href="http://www.youtube.com/watch?v=JPCZLshCkC4">http://www.youtube.com/watch?v=JPCZLshCkC4</a><br />
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Hélio Delmiro plays "All the things you are"<br />
<a href="http://www.youtube.com/watch?v=aOvgPKyMDOw">http://www.youtube.com/watch?v=aOvgPKyMDOw</a><br />
</span><span style="font-family: Verdana, sans-serif; font-size: large;">Zizi Possi & Hélio Delmiro play "Copo Vazio" (Gilberto Gil)</span><br />
<a href="http://www.youtube.com/watch?v=j9KHAmfl_Aw&feature=related"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=j9KHAmfl_Aw&feature=related</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Nana Caymmi & Hélio Delmiro play "Mudança dos Ventos" (Ivan Lins)</span><br />
<a href="http://www.youtube.com/watch?v=AjZ-yBiPToE"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=AjZ-yBiPToE</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Renato Russo & Hélio Delmiro play "Gente Humilde" (Garoto/Chico Buarque/Vinícius de Moraes)</span><br />
<a href="http://www.youtube.com/watch?v=p2Vb-qVs_zs"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=p2Vb-qVs_zs</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Hélio Delmiro improvises live at Heineken Concerts 1992</span><br />
<a href="http://www.youtube.com/watch?v=5tLcgXvpalw"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=5tLcgXvpalw</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Milton Nascimento & Hélio Delmiro play "Caçador de Mim" (Luis Carlos Sá/Sérgio Magrão)</span><br />
<a href="http://www.youtube.com/watch?v=Se9XYKHQi3Y"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=Se9XYKHQi3Y</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Roberto Sion & Hélio Delmiro play "Rapaz de Bem" (Johnny Alf)</span><br />
<a href="http://www.youtube.com/watch?v=-N9I61u7Jm4"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=-N9I61u7Jm4</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Roberto Sion & Hélio Delmiro play "A Night in Tunisia" (Dizzy Gillespie)</span><br />
<a href="http://www.youtube.com/watch?v=ln53Ny4F9es"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=ln53Ny4F9es</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Elis Regina & Hélio Delmiro play "Rebento" (Gilberto Gil) at Montreux Jazz Festival 1979</span><br />
<a href="http://www.youtube.com/watch?v=ok-W1EcdLkg&feature=related"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=ok-W1EcdLkg&feature=related</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Elis Regina & Hélio Delmiro play "Madalena" (Ivan Lins) at Montreux Jazz Festival 1979</span><br />
<a href="http://www.youtube.com/watch?v=5GzcIK5pNUQ"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=5GzcIK5pNUQ</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Elis Regina & Hélio Delmiro play "Cai Dentro" (Baden Powell/Paulo Cesar Pinheiro) at Montreux Jazz Festival 1979</span><br />
<a href="http://www.youtube.com/watch?v=Bo2NhsJ0QXQ"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=Bo2NhsJ0QXQ</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Elis Regina & Hélio Delmiro play "Cobra Criada" (João Bosco/Paulo Emílio) at Montreux Jazz Festival 1979</span><br />
<a href="http://www.youtube.com/watch?v=Ne_zvRVcLok"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=Ne_zvRVcLok</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Victor Assis Brasil Quintet (with Hélio Delmiro) play "Tema pro Einhorn"</span><br />
<a href="http://www.youtube.com/watch?v=pvWlOohXDKU"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=pvWlOohXDKU</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Victor Assis Brasil Quintet play "Balada pra Nadia"</span><br />
<a href="http://www.youtube.com/watch?v=UF27QpxXotY&feature=related"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=UF27QpxXotY&feature=related</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Victor Assis Brasil Quintet play "Lydian Dreams"</span><br />
<a href="http://www.youtube.com/watch?v=RkdCMwpDyps&feature=related"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=RkdCMwpDyps&feature=related</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Victor Assis Brasil Quintet play "Waltz for Trane"</span><br />
<a href="http://www.youtube.com/watch?v=sjE9sstZVeQ&feature=relmfu"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=sjE9sstZVeQ&feature=relmfu</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Hélio Delmiro plays "Pro Zeca" </span><br />
<a href="http://www.youtube.com/watch?v=BXdFWj8e0Pw"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=BXdFWj8e0Pw</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Hélio Delmiro plays "Ad Infinito" no RT SOM </span><br />
<a href="http://www.youtube.com/watch?v=OMONxlcmhD8"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=OMONxlcmhD8</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Hélio plays "Marceneiro Paulo" no RT SOM</span><br />
<a href="http://www.youtube.com/watch?v=D9pFEkHV0ys"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=D9pFEkHV0ys</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Hélio plays "Marceneiro Paulo" no CLUBE DO CHORO</span><br />
<a href="http://www.youtube.com/watch?v=ihd7B1UuYVI"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=ihd7B1UuYVI</span></a><br />
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<span style="font-family: Verdana, sans-serif; font-size: large;">Some wisdow words from Jesus' brother: Mr. Hélio Delmiro (talking about playing with new musicians):</span><br />
<span style="font-family: Verdana, sans-serif; font-size: large;">"I felt that too one day, it's a pleasure to be reaching a larger experience, I've been experienced, is really good, gives that tingly inside, it's good there, but really listen something: the knight riding the horse out but the horse continues to trot, and then comes another rider mounts the horse, and goes over a road, then after he goes down and comes back another rider and so the horse riding on and on. So also is the experience, the sum of them; then they think they learned something with us, but we actually do learn much more from them. "</span><br />
<a href="http://www.youtube.com/watch?v=c0_GNG4Fp8g&feature=relmfu"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.youtube.com/watch?v=c0_GNG4Fp8g&feature=relmfu</span></a><br />
<br />
<span style="font-family: Verdana, sans-serif; font-size: large;">To know more about this gifted musician, and above all things: vitalized human being, please reach:</span><br />
<br />
<a href="http://heliodelmiro.blogspot.com.br/"><span style="font-family: Verdana, sans-serif; font-size: large;">http://heliodelmiro.blogspot.com.br/</span></a><br />
<a href="http://pt.wikipedia.org/wiki/H%C3%A9lio_Delmiro"><span style="font-family: Verdana, sans-serif; font-size: large;">http://pt.wikipedia.org/wiki/H%C3%A9lio_Delmiro</span></a><br />
<a href="http://www.myspace.com/heliodelmiro"><span style="font-family: Verdana, sans-serif; font-size: large;">http://www.myspace.com/heliodelmiro</span></a><br />
<br />
<span style="font-family: Verdana, sans-serif; font-size: large;">"And we know, that to men that love God, all things work together into good, to them that after purpose be called saints. For those that he knew before [For why and whom he knew before], he before-ordained by grace to be made like to the image of his Son, that he be the first begotten among many brethren. And those that he before-ordained to bless, them he called; and whom he called, them he justified; and whom he justified, them he glorified." </span><span style="font-family: Verdana, sans-serif; font-size: large;">ROMANS 8, 28-30</span><br />
<br />
<span style="font-family: Verdana, sans-serif; font-size: large;">"It pertaineth to man to make ready the soul; and it pertaineth to the Lord to govern the tongue. All the ways of men be open to the eyes of God; the Lord is a weigher of spirits, that is, of wills, yielding to man after his deservings. Show thy works to the Lord; and thy thoughts shall<br />be succeed." PROVERBS 16, 1-3</span><br />
<br />
<span style="font-family: Verdana; font-size: large;">"The grace of our Lord Jesus Christ, and the charity of God, and the communing of the Holy Ghost, be with you all. Amen." 2 CORINTHIANS 13, 14<br /> </span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-36475376759120925852011-11-10T17:41:00.000-02:002011-11-10T17:41:16.250-02:00SUN RA - Live at the Horseshoe Tavern Toronto (1978)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4BDsmA7fUs1frcFGTgeybtMIjxHzq3O94zW6OXgad_NIQH2_NfU1kPaXw-_nDCaDDEyNzjIfgHx6oZ-G3IU4_PDS5fE89RulREunuaQBras91TXTpBG3pc4wF5KH7lJ2iMF0lvUjIZZU/s1600/sunra_trans0311.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4BDsmA7fUs1frcFGTgeybtMIjxHzq3O94zW6OXgad_NIQH2_NfU1kPaXw-_nDCaDDEyNzjIfgHx6oZ-G3IU4_PDS5fE89RulREunuaQBras91TXTpBG3pc4wF5KH7lJ2iMF0lvUjIZZU/s320/sunra_trans0311.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVIEdckQPs5UnxCvBYAWhZp3VKsR2dQoBtep48PlBGOjpQ_brodtl9i6U2oAdTz_u4exozt9D9AI1n9ZKJTLeHYPIO-QpKhxuVjT2fPn6WQfSw7GRqEceRgl4zxa8lM3kgeBgh4AWZj6c/s1600/sun-ra-color2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVIEdckQPs5UnxCvBYAWhZp3VKsR2dQoBtep48PlBGOjpQ_brodtl9i6U2oAdTz_u4exozt9D9AI1n9ZKJTLeHYPIO-QpKhxuVjT2fPn6WQfSw7GRqEceRgl4zxa8lM3kgeBgh4AWZj6c/s400/sun-ra-color2.JPG" width="281" /></a></div><br />
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<span class="Apple-style-span" style="background-color: #fff2cc; font-family: inherit; font-size: large;">Calling Planet Earth: </span><span class="Apple-style-span" style="background-color: #fff2cc; font-size: large; line-height: 18px;">non-stop selections from </span><br />
<span class="Apple-style-span" style="background-color: #fff2cc; font-size: large; line-height: 18px;">"</span><span style="background-color: #fff2cc; font-size: large; line-height: 18px;">Live at the Horseshoe Tavern Toronto" (1978)</span><br />
<span style="background-color: #fff2cc; font-size: large; line-height: 18px;"><br />
</span><br />
<span style="background-color: #fff2cc; line-height: 18px; text-align: -webkit-center;"><span class="Apple-style-span" style="font-family: inherit; font-size: large;">The Sound Projector radio show,<br />
originally broadcast on <a href="http://www.resonancefm.com/" style="outline-color: initial; outline-style: none; outline-width: initial; text-decoration: none;">Resonance 104.4 FM</a></span></span><br />
<a href="http://www.thesoundprojector.com/2008/05/02/sun-ra-live/"><span class="Apple-style-span" style="background-color: #fff2cc; color: black; font-family: inherit; font-size: large;">http://www.thesoundprojector.com/2008/05/02/sun-ra-live/</span></a>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-4870720646245789682011-10-09T22:26:00.002-02:002011-10-15T20:53:52.803-02:00Letieres Leite & Orkestra Rumpilezz (2009)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBtCF94pheXRdTFBdnNlbROAqkh8930NlRaECyu52CD28zsUn2gT_2fOzL6u_-Y5epVnFS5j6IbtmpbrdJZL84I0OtMefk5J9BybArD3-7P5lTievdIEm-u6mGhZTYntI1tdc5ztThl7s/s1600/537342_0_5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBtCF94pheXRdTFBdnNlbROAqkh8930NlRaECyu52CD28zsUn2gT_2fOzL6u_-Y5epVnFS5j6IbtmpbrdJZL84I0OtMefk5J9BybArD3-7P5lTievdIEm-u6mGhZTYntI1tdc5ztThl7s/s320/537342_0_5.jpg" width="320" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/gapUzD65UQk?feature=player_embedded' frameborder='0'></iframe></div><span class="Apple-style-span" style="background-color: white; font-family: inherit;"><a href="http://www.mediafire.com/?mmxmmmn3gmt">http://www.mediafire.com/?mmxmmmn3gmt</a></span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-16463854814408078002011-09-15T18:58:00.001-02:002011-09-15T19:00:23.914-02:00BUD POWELL Jazz Quotes<span class="Apple-style-span" style="background-color: white; color: black; font-family: sans-serif; font-size: 13px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: 19px; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px;"><ul style="font-family: inherit; line-height: 1.5em; list-style-image: url("data:image/png; list-style-type: square; margin: 0.3em 0px 0px 1.5em; padding: 0px;">
<li style="margin-bottom: 0.1em;"><span style="font-size: large;">"No one could play like Bud; too difficult, too quick, incredible!" - Thelonious Monk</span></li>
</ul>
<ul style="font-family: inherit; line-height: 1.5em; list-style-image: url("data:image/png; list-style-type: square; margin: 0.3em 0px 0px 1.5em; padding: 0px;">
<li style="margin-bottom: 0.1em;"><span style="font-size: large;">"Bud was the most brilliant that a spirit might be, a unique genius in our culture." - Max Roach</span></li>
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<li style="margin-bottom: 0.1em;"><span style="font-size: large;">"Bud is a genius." - Charlie Parker</span></li>
</ul>
<ul style="font-family: inherit; line-height: 1.5em; list-style-image: url("data:image/png; list-style-type: square; margin: 0.3em 0px 0px 1.5em; padding: 0px;">
<li style="margin-bottom: 0.1em;"><span style="font-size: large;">"He laid down the basis of modern jazz piano." - Dizzy Gillespie</span></li>
</ul>
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<li style="margin-bottom: 0.1em;"><span style="font-size: large;">"Bud is a genuine genius." - Duke Ellington</span></li>
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</span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-45709486509573617352011-08-30T18:50:00.001-02:002011-08-30T19:03:30.477-02:00THELONIOUS MONK Jazz Quotes<br />
<span class="Apple-style-span" style="background-color: white; font-family: inherit; font-size: large;"><br /></span><br />
<span class="Apple-style-span" style="background-color: white; font-family: inherit; font-size: large;">“I don’t consider myself a musician who has achieved perfection and can’t develop any further. But I compose my pieces with a formula that I created myself. Take a musician like John Coltrane. He is a perfect musician, who can give expression to all the possibilities of his instrument. But he seems to have difficulty expressing original ideas on it. That is why he keeps looking for ideas in exotic places. At least I don’t have that problem, because, like I say, I find my inspiration in myself.” - Thelonious Monk</span><br />
<span class="Apple-style-span" style="background-color: white; font-family: inherit; font-size: large;"><br /></span><br />
<span class="Apple-style-span" style="background-color: white; font-family: inherit; font-size: large;">"At this time the fashion is to bring something to jazz that I reject. They speak of freedom. But one has no right, under pretext of freeing yourself, to be illogical and incoherent by getting rid of structure and simply piling a lot of notes one on top of the other. There’s no beat anymore. You can’t keep time with your foot. I believe that what is happening to jazz with people like Ornette Coleman, for instance, is bad. There’s a new idea that consists in destroying everything and find what’s shocking and unexpected; whereas jazz must first of all tell a story that anyone can understand." - Thelonious Monk </span><br />
<span class="Apple-style-span" style="background-color: white; font-family: inherit; font-size: large;"><br /></span><br />
<span class="Apple-style-span" style="background-color: white; font-family: inherit; font-size: large;">Interviewer: 'What other interests do you have?'<br />T.Monk: 'Life in general.'<br />Interviewer: "What do you do about it?"<br />T.Monk: 'Keep breathing.' "<br />"Interviewer: 'What do you think the purpose of life is?'<br />T.Monk: 'To die.'<br />-- <i>Down Beat</i> magazine</span><br />
<span class="Apple-style-span" style="background-color: white; font-family: inherit; font-size: large;"><br /></span><br />
<span class="Apple-style-span" style="font-family: inherit;"></span><br />
<div class="longquote" id="quote-16" style="line-height: 19px; text-align: justify;">
<span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="background-color: white; font-family: inherit; font-size: large;">“I say, play your own way. Don’t play what the public want — you play what you want and let the public pick up on what you doing — even if it does take them fifteen, twenty years.” - Thelonious Monk</span></span></div>
<div class="longquote" id="quote-16" style="line-height: 19px; text-align: justify;">
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<div class="longquote" id="quote-62" style="line-height: 19px; text-align: justify;">
<span class="Apple-style-span" style="background-color: white; font-family: inherit; font-size: large;">“Where’s jazz going? I don’t know? Maybe it’s going to hell. You can’t make anything go anywhere. It just happens.” - Thelonious Monk</span></div>
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</span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-15781028246989298632011-08-23T18:01:00.001-02:002011-08-23T18:03:26.448-02:00FATS NAVARRO & TADD DAMERON - The Complete Blue Note and Capitol Recordings (1947-48)<div style="text-align: justify;">
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<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSWlQx__-w-_43yclOEQumIXk0WTi-TGM-umwVjdUTkm-Nuu1WmO4l7ITEhHTHRxcRaCfmnczVpLqhz7kzLw23DghKGMpUbzoeRJCDmAqeVY6dwxnGShB8YY3z5bXV6IiVuItRL7I2my8/s1600/fats2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSWlQx__-w-_43yclOEQumIXk0WTi-TGM-umwVjdUTkm-Nuu1WmO4l7ITEhHTHRxcRaCfmnczVpLqhz7kzLw23DghKGMpUbzoeRJCDmAqeVY6dwxnGShB8YY3z5bXV6IiVuItRL7I2my8/s400/fats2.JPG" width="380" /></a></span></div>
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<span class="Apple-style-span" style="background-color: white;"><span class="Apple-style-span" style="font-size: large; line-height: 18px;">One of the greatest jazz trumpeters of all time, Fats Navarro had a tragically brief career yet his influence is still being felt. His fat sound combined aspects of Howard McGhee, Roy Eldridge, and Dizzy Gillespie, became the main inspiration for Clifford Brown, and through Brownie greatly affected the tones and styles of Lee Morgan, Freddie Hubbard, and Woody Shaw.</span><span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="line-height: 18px;"></span></span></span><br />
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<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="background-color: white; line-height: 18px;">Many valuable performances from the height of the bop era are included on this double CD. Subtitled "The Complete Blue Note and Capitol Recordings" and comprised of 23 songs and 13 alternate takes, the reissue features the great trumpeter Fats Navarro in peak form with three groups headed by pianist/arranger Tadd Dameron, in trumpet battles with one of his major influences, Howard McGhee, and on a remarkable all-star quintet with pianist Bud Powell and the young tenor Sonny Rollins; among the other sidemen are altoist Ernie Henry; tenors Charlie Rouse, Allen Eager, Wardell Gray, and Dexter Gordon; and vibraphonist Milt Jackson. In addition to such gems as "Our Delight," "Lady Bird," "Double Talk," "Bouncing With Bud," "Dance of the Infidels," and "52nd Street Theme," Fats is heard with the 1948 Benny Goodman septet ("Stealin' Apples") and Dameron leads a group with the 22-year-old Miles Davis. On a whole, this double CD has more than its share of essential music that belongs in all historical jazz collections. (allmusic.com)</span></span></div>
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<a href="http://www.mediafire.com/?so18xafwxj79fyf">part one</a></div>
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<a href="http://www.mediafire.com/?dt1zw2yjwyg9l15">part two</a></div>
</span></span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-56997020089732676342011-05-17T22:09:00.001-02:002014-11-12T13:49:08.271-02:00MUSICAL PAINTINGS<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4t4GXfzdwbf4dkCm_8BQ8q9l-kxTzXksdB38Lfzj65GouPREfVMCPjuk_PHEj-esX00sW9sMqO1hkdqXJFoGwKqNfbzI7ot3OXyEg9mnZ7YPh1Pi0qXq0VBT1y3LgUUkiLDvfj-Z0CwA/s1600/Mussorgsky+-+Pictures+at+an+Exhibition+-+Kazuhito+Yamashita%255B5%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4t4GXfzdwbf4dkCm_8BQ8q9l-kxTzXksdB38Lfzj65GouPREfVMCPjuk_PHEj-esX00sW9sMqO1hkdqXJFoGwKqNfbzI7ot3OXyEg9mnZ7YPh1Pi0qXq0VBT1y3LgUUkiLDvfj-Z0CwA/s1600/Mussorgsky+-+Pictures+at+an+Exhibition+-+Kazuhito+Yamashita%255B5%255D.jpg" /></a></div>
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<span style="font-size: large;">I said to you that quality is much better than quantity, and that I'm totally absorv with my Traditional Brazilian music band, but I'll sugest for you an amazing blog from adorable Mara with an exceptional Jazz section. Enjoy: <a href="http://pintandomusica.blogspot.com/2009/10/pure-jazz.html">http://pintandomusica4.blogspot.com.br/</a></span></div>
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<span style="font-size: large;">Best wishes,</span></div>
<span style="color: black; font-size: large;"><span style="font-family: inherit;">Augusto Senna.</span></span><br />
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<br />Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-49721731967126926832011-03-31T17:03:00.001-02:002014-11-12T13:53:13.166-02:00Jimmy Smith - The Cat (1964)<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;">Jimmy Smith - The Cat (1964)</span></div>
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<span style="font-size: large;">Tracklist:</span></div>
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<span style="font-size: large;">1.Theme from Joy House<br />
2.Cat<br />
3.Basin Street Blues<br />
4.Main Title from "The Carpetbaggers"<br />
5.Chicago Serenade<br />
6.St. Louis Blues<br />
7.Delon's Blues<br />
8.Blues in the Night</span></div>
<span style="color: black; font-size: large;"><br style="font-family: inherit;" /><span style="font-family: inherit;">One of the essential Jimmy Smith albums that all record collections should contain. </span><span style="font-family: inherit;">Moving from Blue Note to Verve, Smith swapped the small band for the large orchestra. </span><span style="font-family: inherit;">The instrument Smith pioneered was the Hammond B3 organ, which had been labelled</span><br style="font-family: inherit;" /><span style="font-family: inherit;">"the poor man's orchestra" because of the depth of sound it could create, </span><span style="font-family: inherit;">so when that met a real orchestra under the guidance of arranger Lalo Schifrin </span><span style="font-family: inherit;">the result is explosive. Especially when the orchestra itself contains musicians </span><span style="font-family: inherit;">of the class of Kenny Burrell and Thad Jones. Now remastered the album hasn't a dull moment, </span><span style="font-family: inherit;">with blues, pop and two cracking film scores (The Cat and "Main Title from The Carpetbaggers", </span><span style="font-family: inherit;">which is used on BBC2's Money Programme). Then of course there is Smith's masterful playing </span><span style="font-family: inherit;">that never fails to raise the hairs on the spine or get the fingers clicking. </span><span style="font-family: inherit;">A cool, swinging, fun and indispensable record. </span><br style="font-family: inherit;" /><a href="http://www.mediafire.com/?ymmo3nf19yc">http://www.mediafire.com/?ymmo3nf19yc</a></span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-73536193194898115252011-03-30T20:32:00.000-02:002011-03-30T20:32:56.410-02:00BANDA BLACK RIO (1983)<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><span style="font-family: inherit;">http://pt.wikipedia.org/wiki/Banda_Black_Rio</span></span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-77993989306915540932011-03-30T20:05:00.001-02:002014-11-12T13:54:41.372-02:00Jacob do Bandolim & Época de Ouro - Vibrações (1967)<div class="separator" style="clear: both; font-family: inherit; text-align: center;">
<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrnBgjIY5wzWcPViX-MmmfOU-OtdRXESKIHwkxf4CIvcs_O_VFaYH01YR9fgheEN0wd04MBGnkGq-bLfUcNnQxfDUIC99jjFFCef0FUvp-sqX-joVJVha6UUAvW24ZCaY1iM-eFlcnsWY/s1600/jacobdobandolimvibracoes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrnBgjIY5wzWcPViX-MmmfOU-OtdRXESKIHwkxf4CIvcs_O_VFaYH01YR9fgheEN0wd04MBGnkGq-bLfUcNnQxfDUIC99jjFFCef0FUvp-sqX-joVJVha6UUAvW24ZCaY1iM-eFlcnsWY/s320/jacobdobandolimvibracoes.jpg" height="320" width="320" /></a></span></div>
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<span style="font-size: large;"><b>Jacob do Bandolim & Época de Ouro - Vibrações</b>, é uma obra-prima do
choro realizada em 1967, considerado o melhor trabalho de Jacob Bandolim, e um dos
melhores discos de choro já feitos. <br /><br /><span style="font-weight: bold;">Músicas:</span> </span><br />
<span style="font-size: large;">01- <b>Vibrações</b> (Jacob Bittencourt)<br />02- <b>Receita de samba</b> (Jacob Bittencourt)<br />03- <b>Ingênuo</b> (Benedito Lacerda - Pixinguinha)<br />04- <b>Pérolas</b> (Jacob Bittencourt)<br />05- <b>Assim mesmo</b> (Luis Americano)<br />06- <b>Fidalga</b> (Ernesto Nazareth)<br />07- <b>Lamento</b> (Pixinguinha)<br />08- <b>Murmurando</b> (Fon)<br />09- <b>Cadência</b> (Joventino Maciel)<br />10- <b>Floraux</b> (Ernesto Nazareth)<br />11- <b>Brejeiro</b> (Ernesto Nazareth)<br />12- <b>Vésper</b> (Ernesto Nazareth)</span></div>
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<span style="font-size: large;"><span style="font-family: inherit;"><a href="http://www.mediafire.com/?0uvwr1eodzz">http://www.mediafire.com/?0uvwr1eodzz</a> </span></span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-31150057913591754642011-03-29T16:58:00.001-02:002011-03-29T17:23:03.981-02:00Hitler against Jazz<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: inherit; font-size: large;"><span class="" id="result_box" lang="en"><span class="hps" title="Clique para mostrar traduções alternativas">FOR THAT</span> <span class="hps" title="Clique para mostrar traduções alternativas">HISTORY</span> <span class="hps" title="Clique para mostrar traduções alternativas">DOES NOT</span> <span class="hps" title="Clique para mostrar traduções alternativas">REPEAT</span> ITSELF <span class="hps" title="Clique para mostrar traduções alternativas">...</span><br /><br /> <span class="hps" title="Clique para mostrar traduções alternativas">... Here</span> <span class="hps" title="Clique para mostrar traduções alternativas">are</span> <span class="hps" title="Clique para mostrar traduções alternativas">some of</span> <span class="hps" title="Clique para mostrar traduções alternativas">the conditions</span> <span class="hps" title="Clique para mostrar traduções alternativas">that the Ministry</span> <span class="hps" title="Clique para mostrar traduções alternativas">of</span> <span class="hps" title="Clique para mostrar traduções alternativas">Popular Education</span> <span class="hps" title="Clique para mostrar traduções alternativas">set</span> <span class="hps" title="Clique para mostrar traduções alternativas">during</span> <span class="hps" title="Clique para mostrar traduções alternativas">Hitler's</span> <span class="hps" title="Clique para mostrar traduções alternativas">government</span> <span class="hps" title="Clique para mostrar traduções alternativas">to</span> <span class="hps" title="Clique para mostrar traduções alternativas">the granting of licenses</span> <span class="hps" title="Clique para mostrar traduções alternativas">for </span></span></span><span style="font-family: inherit; font-size: large;"><span class="" id="result_box" lang="en"><span class="hps" title="Clique para mostrar traduções alternativas">dance</span>'s <span class="hps" title="Clique para mostrar traduções alternativas">music</span><span title="Clique para mostrar traduções alternativas"></span></span></span><span style="font-family: inherit; font-size: large;"><span class="" id="result_box" lang="en"><span class="hps" title="Clique para mostrar traduções alternativas"> performances</span><span class="hps" title="Clique para mostrar traduções alternativas"></span><span title="Clique para mostrar traduções alternativas">:</span></span></span><span style="color: black; font-size: large;"><br style="font-family: inherit;" /><br style="font-family: inherit;" /><span style="font-family: inherit;">DEPARTMENT OF POPULAR EDUCATION AND ART</span><br style="font-family: inherit;" /><br style="font-family: inherit;" /><span style="font-family: inherit;">Conditions Governing the Grant of Licenses for Dance Music</span><br style="font-family: inherit;" /><br style="font-family: inherit;" /><span style="font-family: inherit;">NEGROID: Belonging to a Negro race. This includes the African Negroes (and also those living outside of Africa), also Pygmies, Bushmen and Hottentots. NEGRITO: In the wider sense of the term, the short-statured, curly or frizzy-haired, dark-skinned inhabitants of Southeastern Asia, Melanesia and Central Africa.</span><br style="font-family: inherit;" /><br style="font-family: inherit;" /><span style="font-family: inherit;">1. Music: The Embargo on Negroid and Negrito Factors in dance Music and Music for Entertainments.</span><br style="font-family: inherit;" /><br style="font-family: inherit;" /><span style="font-family: inherit;">2. Introduction: The following regulations are intended to indicate the revival of the European spirit in the music played in this country for dances and amusements, by freeing the latter from the elements of that primitive Negroid and/or Negrito music, which may be justly regarded as being in flagrant conflict with the Europeon conception of music. These regulations constitute a transitory measure born of practical considerations and which must of necessity precede a general revival.</span><br style="font-family: inherit;" /><br style="font-family: inherit;" /><span style="font-family: inherit;">3. Prohibition: It is forbidden to play in public music which possesses to a marked degree characteristic features of the method of improvisation, execution, composition and arrangement adopted by Negroes and colored people. It is forbidden in publications, reports, programs, printed or verbal announcements, etc.: (a) to describe music played or to be played with the words "jazz" or "jazz music." (b) to use the technical jargon described below, except in reference to or as a description of the instrumental and vocal dance music of the North American Negroes. Exceptions may Be permitted where such music is intended for a strictly scientific or strictly educational purpose and where such music is interpreted by persons having two or more Negroid or Negritic grandparents.</span><br style="font-family: inherit;" /><br style="font-family: inherit;" /><span style="font-family: inherit;">4. Descripton of The Main Characteristic Features of the Above-Mentioned Music which Differ from the European Conception of Music: The use of tonally undefined mordents, Ostentatious trills, double-stopping or ascendant glissandi, obtained in the Negro style by excessive vibrato, lip technique and/or shaking of the musical instrument. In jazz terminology, the effects known as "dinge," "smear" and "whip." Also the use of intentional vocalization of an instrumental tone by imitating a throaty sound. In jazz terminology, the adoption of the "growl" on brass wind instruments, and also the "scratchy" clarinet tone. Also the use of any intentional instrumentalization of the singing voice by substituting senseless syllables for the words in the text by "metalizing" the voice. In jazz terminology, so-called "scat" singing and the vocal imitation of brass wind instruments. Also the use in Negro fashion of harshly timbered and harshly dynamic intonations unless already described. In jazz terminology, the use of "hot" intonations. Also the use in Negro fashion of dampers on brass and woodwind instruments in which the formation of the tone is achieved in solo items with more than the normal pressure. This does not apply to saxophones or trombones. Likewise forbidden, in the melody, is any melody formed in the manner characteristic of Negro players, and which can be unmistakably recognized.</span><br style="font-family: inherit;" /><br style="font-family: inherit;" /><span style="font-family: inherit;">5. Expressly Forbidden: The adoption in Negro fashion of short motifs of exaggerated pitch and rhythm, repeated more than three times without interruption by a solo instrument (or soloist), or more than sixteen times in succession without interruption by a group of instruments played by a band. In jazz terminology, any adoption of "licks" and "riffs" repeated more than three times in succession by a soloist or more than sixteen times for one section or for two or more sections. Also the exaggeration of Negroid bass forms, based on the broken tritone. In jazz terminology, the "boogie-woogie," "honky tonk" or "barrelhouse" style.</span><br style="font-family: inherit;" /><br style="font-family: inherit;" /><span style="font-family: inherit;">6. Instruments Banned: Use of very primitive instruments such as the Cuban Negro "quijada" (jaw of a donkey) and the North American Negro "washboard." Also the use of rubber mutes (plungers) for wind brass instruments, the imitation of a throaty tone in the use of mutes which, whether accompanied by any special movement of the hand or not, effect an imitation of a nasal sound. In jazz terminology, use of "plungers" and "Wah Wah" dampers. The so-called "tone color" mutes may, however, be used. Also the playing in Negro fashion of long, drawn-out percussion solos or an imitation thereof for more than two or four three-time beats, more frequently than three times or twice in the course of 32 successive beats in a complete interpretation. In jazz terminology, "stop choruses" by percussion instruments, except brass cymbals. There is no objection to providing a chorus with percussion solos in places where a break could also come, but at not more than three such places. Also the use of a constant, long drawn-out exaggerated tonal emphasis on the second and fourth beats in 4/4 time. In jazz terminology, the use of the long drawn-out "off beat" effect. </span></span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-50938118498620850682011-03-28T20:34:00.000-02:002011-03-28T20:34:24.273-02:00JOHN COLTRANE Jazz Quotes<div class="separator" style="clear: both; text-align: center;">
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<span style="color: black; font-family: inherit; font-size: large;">“Over all, I think the main thing a musician would like to do is give a picture to the listener of the many wonderful things that he knows of and senses in the universe. . . That’s what I would like to do. I think that’s one of the greatest things you can do in life and we all try to do it in some way. The musician’s is through his music.”<br /><br />“Sometimes I wish I could walk up to my music for the first time, as if I had never heard it before. Being so inescapably a part of it, I’ll never know what the listener gets, what the listener feels, and that’s too bad.”<br /><br />“All a musician can do is to get closer to the sources of nature, and so feel that he is in communion with the natural laws.”<br /><br />“My music is the spiritual expression of what I am — my faith, my knowledge, my being … When you begin to see the possibilities of music, you desire to do something really good for people, to help humanity free itself from its hangups … I want to speak to their souls.”<br /><br />“Sometimes I’d think I was making music through the wrong end of a magnifying glass.”<br /><br />“I’m into scales right now.”<br /><br />“I’ve found you’ve got to look back at the old things and see them in a new light.”<br /><br />“You can play a shoestring if you’re sincere.”<br /><br />"I think playing and writing go hand in hand. I don't feel that at this stage of the game I can actually sit down and say I'm going to write a piece that will do this or that for the people -a thing which some artists can do- but I'm trying to tune myself so I can look to myself and to nature and to other sounds in music and interpret things that I feel there and present them to people. Eventually I hope to reach a stage where I have a vast warehouse of study and knowledge to be able to produce any certain thing.<br />Duke Ellington is one person who can do this -that's really heavy musicianship and I haven't reached that stage yet. I've been predominantly a soloist all my natural life, and now I'm a soloist with my own band, and this has led me into this other thing: what am I going to play and why?<br />My material is mainly my own, and I find some of my best work comes from the most challenging material. Sometimes we write things to be easy, sometimes to be hard, it depends on what we want to do. A year ago we had quite a few standards which made up a third of the book, but now other people, certainly Ornette (Coleman) and Eric (Dolphy), have been responsible for other influences."<br />-John Coltrane<br />1962 interview, Jazz Monthly <br /><br />"It's more than beauty that I feel in music -that I think that musicians feel in music. What we know we feel we'd like to convey to the listener. We hope that this can be shared by all. I think, basically, that's about what it is we're trying to do. If you ask me that question, I might say this today and tomorrow something entirely different, because there are many things to do in music.<br />But over-all, I think the main thing a musician would like to do is to give a picture to the listener of the many wonderful things he knows and senses in the universe. That's what music is to me -it's just another way of saying this is a big, beautiful universe we live in, that's been given to us, and here's an example of just how magnificent and encompassing it is. That's what I would like to do, I think that's one of the greatest things you can do in life, and we try to do it in some way. The musician's way is through his music."<br />-John Coltrane<br />(When asked what he and Eric Dolphy were trying to achieve)<br /><br />Miles Davis, in addition to being one of the most talented and distinctive musicians to grace the annals of jazz history, had a unique reputation when it came to his speaking voice–both for his hoarse whisper and his pithy, rather Zen-like way of communicating with his band members, which sometimes resulted in amusing exchanges, such as his retort to John Coltrane’s lament that he couldn’t stop soloing: “Try taking the saxophone out of your mouth.”</span><br />Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-2941999789830252052011-03-24T17:53:00.000-02:002011-03-24T17:53:17.365-02:00Tal Farlow - Tal<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: large;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_N-61PKMoiAXDdzo1NAEP0v0r6kFo-KovcQ-jqOYvGmdavNu-fBxgnvx1UazOBFjcaNWMIBVJ1wscqAGbez_PSYc1KLmJgUosN5OE8EjGDF7vgcQblQBa3wFzybEvG-xnppimNzTCgAWi/s320/front.jpg" /><br />Tal Farlow - Tal</span></span></span><br />
<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: large;"><br />Tracks:<br />01 Isn't It Romantic<br />02 There Is No Greater<br />03 How About You<br />04 Anything Goes<br />05 Yesterdays<br />06 You Don't Know What Love Is<br />07 Chuckles<br />08 Broadway </span></span></span><br />
<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: large;"><br /></span></span></span><br />
<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: large;">Talmage Holt Farlow ( June 7, 1921 – July 25, 1998 ), better known as Tal Farlow, was a jazz guitarist born in Greensboro, North Carolina in 1921. Nearly as famous for his reluctance to play as for his outstanding abilities, Tal did not take up the instrument until he was already 21, but within a year was playing professionally and in 1948 was with Marjorie Hyams’ band. While with the Red Norvo Trio ( which originally included Charles Mingus ) from 1949-1953, Farlow became famous in the jazz world. His huge hands and ability to play rapid yet light lines made him one of the top guitarists of the era. After six months with Artie Shaw’s Gramercy Five in 1953, Farlow put together his own group, which for a time included pianist Eddie Costa. Late in 1958, Farlow settled in Sea Bright, New Jersey, became a sign painter, and just played locally. He only made one record as a leader during 1960-1975, but emerged a bit more often during 1976-1984, recording for Concord fairly regularly before largely disappearing again. Profiled in the definitive documentary Talmage Farlow, the guitarist can be heard on his own records for Blue Note (1954), Verve, Prestige (1969), and Concord. He died of cancer at Memorial Sloan-Kettering Cancer Center in New York City on July 25, 1998 at the age of 77. ~ from wikipedia<br /><br />The perfect setting for the brilliant guitarist Tal Farlow is the format heard on this classic LP, a drumless trio. Farlow, pianist Eddie Costa and bassist Vinnie Burke made for an exciting team, really romping on the up-empo pieces. Highlights of the often heated set include "There Is No Greater Love," "Anything Goes," "Yesterdays" and "Broadway," but all eight numbers are quite enjoyable. ~ Scott Yanow - Courtesy All Music</span></span></span><br />
<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: large;"><br /></span></span></span><br />
<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; font-size: large;">http://www.h33t.com/details.php?id=df88caa0462be351c4196b9e2f79c06427fb415f</span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-19723627091429861282011-03-24T17:26:00.001-02:002011-03-24T22:07:17.033-02:00The George Russell Sextet - Ezz-Thetics (1961)<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><br /></span><br />
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<tr><td class="lista" style="background-color: transparent;"><span class="Apple-style-span" style="color: black; font-family: inherit; font-size: large;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8SRuo1RXkG6RDYRmbTUSPaPMjiaFOUrs6fjh87PYRU1VfKaU5w6N_BgdnM7fIcLpSF31uZ-ceUz-17LPsQ90fCK3KSaAUnwOT0jSSVJXQxaNxOJiVbLYyUbvWnF8AELixQCmaQcTHQ_U5/s200/070_george_russell.jpg" /><br /><span class="Apple-style-span" style="font-family: inherit;">The George Russell Sextet - Ezz-thetics (1961)<br /><br />Musicians:<br />Eric Dolphy (alto saxophone, flute, bass clarinet)<br />George Russell (piano)</span></span><span class="Apple-style-span" style="color: black; font-size: large;"><br /><span class="Apple-style-span" style="font-family: inherit;">Don Ellis (trumpet)</span><br /><span class="Apple-style-span" style="font-family: inherit;">Dave Baker (trombone)</span><br /><span class="Apple-style-span" style="font-family: inherit;">Steve Swallow (acoustic bass)</span><br /><span class="Apple-style-span" style="font-family: inherit;">Joe Hunt (drums)</span><br /><br /><span class="Apple-style-span" style="font-family: inherit;">Tracks:</span><br /><span class="Apple-style-span" style="font-family: inherit;">01 Ezz-Thetic </span><br /><span class="Apple-style-span" style="font-family: inherit;">02 Nardis </span><br /><span class="Apple-style-span" style="font-family: inherit;">03 Lydiot </span><br /><span class="Apple-style-span" style="font-family: inherit;">04 Thoughts </span><br /><span class="Apple-style-span" style="font-family: inherit;">05 Honesty </span><br /><span class="Apple-style-span"><span class="Apple-style-span" style="font-family: inherit;">06 'Round Midnight </span><br /><br /><span class="Apple-style-span" style="font-family: inherit;">A post-war masterpiece, Ezz-Thetics is pianist/arranger<br />George Russell's definitive 1961 sextet recording from<br />the earliest phase of his multi-decade career. On par<br />with such iconic albums as Oliver Nelson's Blues and<br />the Abstract Truth (Impulse!, 1961), Mal Waldron's<br />The Quest (Riverside, 1961) and Andrew Hill's Point<br />of Departure ( Blue Note, 1964 ), Ezz-Thetics traffics<br />in the same advanced but accessible strain of<br />avant-garde-influenced post-bop. <br /><br />Author of The Lydian Chromatic Concept of Tonal</span></span></span><br />
<span class="Apple-style-span" style="color: black; font-size: large;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-family: inherit;"> Organization ( pub. 1953 ), Russell's seminal concepts</span></span></span><br />
<span class="Apple-style-span" style="color: black; font-size: large;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-family: inherit;"> of improvisation, based on scales rather<br />than chords, became the driving force behind the<br />early modal explorations of Miles Davis and<br />John Coltrane. This pioneering session offers<br />a singular and visionary view of classic post-bop<br />that is ageless in its perfection. <br /><br />Starring a phenomenal group of talent, Russell's<br />sextet features multi-instrumentalist Eric Dolphy,<br />trumpeter Don Ellis, trombonist Dave Baker, <br />a young Steve Swallow on acoustic bass and drummer<br />Joe Hunt. Undaunted by Russell's unorthodox arrangements<br />and tricky, pan-tonal harmonic sensibility, these young<br />firebrands tackle these knotty compositions with flawless<br />technique and unbounded creativity. <br /><br />“Ezz-Thetic” opens the album with a bustling, circuitous<br />theme that ripples with spiraling angularity. Inspiring<br />a round of exhilarating statements from the horns, the<br />tune breaks down into a sequence of recurrent call and<br />response between the rhythm section and brass that eschews<br />typical conventions of pattern and form. <br /><br />Supported by subtle counterpoint and an elegant arrangement,<br />Miles Davis' exotic “Nardis” is given a haunting reading.<br />The sly and unassuming “Lydiot” reveals Russell's minimalist <br />angularity behind the piano, while Dolphy displays a keening,<br />expressive aspect in contrast to Ellis' dulcet trumpet. <br /><br />Using the blues as a basic framework, Baker's contribution,<br />“Thoughts,” incorporates free-form sections at regular <br />intervals, exposing the fine line between tradition and<br />innovation. “Honesty” is a celebratory ode; a vibrant<br />hybrid of classic swing and edgy futurism that contrasts<br />bluesy lyricism with suspenseful, stop-time segments. <br /><br />A prescient rendition of Thelonious Monk's “'Round Midnight”<br />acts as a showpiece for Dolphy. Opening with a free-form<br />section of tiny instrumental sounds and highly vocalized<br />brass effects, it pre-dates the work of the AACM<br />( Association for the Advancement of Creative Music )<br />by almost a decade. A brilliant study in dynamics and<br />virtuosity, Dolphy's alto solo is legendary. Incorporating<br />intervallic leaps and register changes with a highly<br />vocalized tone and mellifluous phrasing, he offers<br />a definitive statement on a hallowed theme. <br /><br />Two takes of the previously unissued “Kige's Tune” <br />appear as bonus tracks. A driving bop-ish vehicle,<br />it is a worthwhile addition, providing the perfect<br />coda to a brilliant session. <br /><br />Cerebral and innovative, yet firmly grounded in tradition,<br />Ezz-Thetics is essential listening and an absolute<br />requirement for any comprehensive jazz collection.</span></span></span><br />
<span class="Apple-style-span" style="color: black; font-size: large;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-family: inherit;">Russell's masterwork is beautiful, enthralling and<br />adventurous, a perfect summation of all the innovations<br />post-war jazz has to offer. ~ Troy Collins<br /><br />"Recently re-released on the 'Keepnews Collection'<br />"Ezz-thetics" is my favourite of all Russell's <br />Riverside output. The new reissue has the usual<br />updated and perceptive and historically significant<br />notes by the redoubtable Mr. Keepnews and has two<br />previously unissued bonus tracks as well. Russell's<br />bands fluctuated with different players but always <br />sounded so modern and creative but this edition of the<br />sextet was special because it had Eric Dolphy playing<br />alto and bass clarinet. Dolphy joined for a few months<br />and made this album with Don Ellis on trumpet, who was<br />later to make his mark as a bandleader, David Baker on<br />trombone,the wonderful and forgotten drummer Joe Hunt<br />and the recording debut of Steve Swallow, playing accoustic<br />bass make this a once in a lifetime session. Dolphy's<br />energy and creativity make this recording significant <br />but Ellis is on fire as well and this was to be the last<br />recording by David Baker on trombone who as Keepnews says<br />sounds both avant-guard and funky at the same time. Baker<br />was playing with a dislocated jaw and right after this<br />recording had an operation and switched from trombone<br />to cello. Baker to this day is one of the leading educators<br />in Jazz and classical music. Russell's piano is spare<br />like Monk's and is so effective in solo and the fills<br />for the horn players. The title track is an exciting<br />and updated composition that Russell wrote for Miles<br />and Lee Konitz in the early 50's and dedicated to the<br />great Jazz loving prize fighter Ezzard Charles, hence<br />the title,'Ezz-thetic'. The other highlight of this<br />recording is one of the most unique versions of Monk's<br />''Round Midnight'. There are so many highlights to this<br />album that one should hear it all and marvel at the very<br />contemporary concept and sound of this March 1961 date." <br /><br />http://www.h33t.com/details.php?<br />id=1c622dee4f0256995da0940a47ac8796dc8748e2</span></span></span></td></tr>
</tbody></table>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-100695599013130512011-03-24T17:23:00.000-02:002011-03-24T17:23:03.880-02:00Dexter Gordon Quintet - Ladybird (1965)<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><img border="0" src="http://qblog.nov.ru/images/uploads/dgl-cover.jpg" /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Dexter Gordon Quintet - Ladybird (1965)</span><br /><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Musicians:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Dexter Gordon, tenor saxophone</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Donald Byrd, trumpet</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Kenny Drew, piano</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Niels Pedersen, bass</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Alex Riel, drums</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Tracks:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">01 Ladybird (Dameron)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">02 So What (Davis) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">03 Who Can I Turn To (When Nobody Needs Me) (Bricusse, Newley) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">04 Blues by Five (Davis) </span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">The latest offering from the seemingly bottomless Danmarks Radio Archive, this disc presents another air shot of Gordon’s lengthy mid-1960s Café Montmarte stint. Dex’s sizable cachet as an expatriate jazz icon prompted a nightly spooling of the tape machines. The resulting cache, so far doled out one set at a time, documents a particularly fertile time for the saxophonist. Shortly after arriving on European shores he teamed with pianist Kenny Drew and a topflight pair of locals in the persons of Pedersen and Riel, set up shop and enjoyed a more relaxed lifestyle than the scuffling of his earlier Big Apple years. This package is a bit different from the previous ones in that it presents trumpeter Donald Byrd, a fellow NYC émigré, sitting in with the working group.</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">The top-heavy program revolves around extended readings of two standards: the Tad Dameron-penned title track and a blue-chip modal number from the best-selling jazz album of all-time. After a brief ensemble stroll through theme Gordon essays a hungry, if slightly boilerplate solo that swallows up a healthy string of choruses. Byrd follows, cooler in cast and surfing across Riel’s frothy snare and cymbal-driven fills with a succession of slightly smeared runs. Pithy Drew and Pedersen statements follow. Riel lends steady hi-hat and sharp, textured brushwork to the latter’s deft pizzicato exposition and the two wear their advanced postbop pedigrees proudly. The piece winds up with a short spate of robust exchanges between Riel and the rest. These closing minutes are marred by a recurring and intrusive tape warble that ends up sounding oddly like a third remedial horn.</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">“So What” receives a comparably elongated reading with Pedersen paying homage to and capaciously expanding on Paul Chambers’ original epochal role. After the familiar bass invocation and riffing theme Gordon breaks away and spools out a sultry solo flanked briefly by just Pedersen and Riel at a brisk, but effervescent tempo. As on the previous cut, Drew delivers deft complementary chords that push the action without prodding it. Byrd’s improvisation unfolds in the leader’s wake, displaying a bit of the gelid clarity that was the composer’s calling card. Pedersen brings up the rear with another compact colloquium on killer contrabass technique. The horns wisely abstain from reentry and let it stand as the dénouement.</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Byrd sits out on a luxurious “Who Can I Turn To?”, but the band returns to full-size for the closer, another Miles Davis’ tune, “Blues By Five.” The trumpeter’s presence and the high degree of rapport shared by the rhythm section make this date one of note. Coupled with a tune choice that strays dexterously in more challenging directions than the band’s usual diet of bop standards it’s a welcome program that finds Gordon in a limber and exploratory mode. Foibles in fidelity aside, Dex aficionados will be sold on the disc’s face value. But casual listeners will probably also be pleasingly surprised by the caliber of this classic conclave.</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Bagatellen.com</span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span><br />
<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">http://www.h33t.com/details.php?id=f75f356d9f205f5469e175e43a35f37dd8e869ad</span></span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-60398764212135588802011-03-24T17:19:00.000-02:002011-03-24T17:19:32.089-02:00Thelonious Monk - Plays Duke Ellington (1955)<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><img border="0" src="http://i306.photobucket.com/albums/nn266/photoapo/Covers/cd1a7090.jpg" /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Thelonious Monk - Plays Duke Ellington (1955)</span><br /><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Musicians:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Thelonious Monk ( Piano )</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Oscar Pettiford ( Double Bass )</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Kenny Clarke ( Drums )</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Tracks:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">01 It Don't Mean A Thing ( If It Ain't Got That Swing ) (Duke Ellington/Irving Mills ) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">02 Sophisticated Lady (Duke Ellington/Irving Mills/Mitchell Parish) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">03 I Got It Bad And That Ain't Good ( Duke Ellington/Paul Francis Webster ) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">04 Black And Tan Fantasy ( Duke Ellington/Bubber Miley ) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">05 Mood Indigo ( Barney Bigard/Duke Ellington/Irving Mills ) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">06 I Let A Song Go Out Of My Heart ( Duke Ellington/Irving Mills/Henry Nemo/John Redmond ) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">07 Solitude ( Eddie DeLange/Duke Ellington/Irving Mills ) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">08 Caravan ( Duke Ellington/Irving Mills/Juan Tizol ) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Thelonious Monk ( piano/arranger ) began his illustrious relationship with Riverside Records on the pair of July 21 and 27, 1955, dates needed to complete the eight sides for Plays Duke Ellington (1955 ). Monk commands a trio that also presents the talents of Oscar Pettiford ( bass ) and Kenny Clarke ( drums ) on all the tracks sans "Solitude," which appropriately enough features an unaccompanied piano. The delicacy and inherently intricate melodies that Duke Ellington is best known for are perfectly matched to Monk's angular and progressive interpretations. The combo are comfortable behind the pianist who remains somewhat subdued, if not arguably tentative, during the opening of " It Don't Mean a Thing ( If It Ain't Got That Swing ), " although by his solo, Monk eases into some nice give and take with a playful Pettiford, whose steady bounce undeniably congeals the unit's sound. Monk takes the refined grace of " Sophisticated Lady " into a virtually unsurpassed strata as his seemingly disjointed notes organically coalesce into a simply stunning, yet stark introduction, with Clarke's understated backbeat allowing room for Monk to embellish and thoroughly adorn. The dark optimism of " Black and Tan Fantasy " stands out as another perfect combination of music and musician. " I Let a Song Go Out of My Heart " is a fun little romp with Monk taking some tricky and rhythmically unanticipated side trips throughout his nimble and rollicking leads. " Caravan " is a gem as Clarke's sinuous trapwork becomes a perfect foil for Pettiford's buoyant basslines. It also reels in Monk's animated keyboard antics. Plays Duke Ellington is a recommended title for all dimension of jazz enthusiast. However, Monk and Ellington aficionados may rate it slightly higher. ~ by Lindsay Planer, AMG</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span></span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span></span></span><br />
<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">http://www.h33t.com/details.php?id=44fdbd528244a1f4dc3c195a5fa924bedd231dd9</span></span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-45264296166041547772011-03-24T17:12:00.001-02:002011-03-24T17:13:01.278-02:00Kenny Burrell - Blues The Common Ground - 1968<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4yFQA_N_wIFGaMXDbvueVG3wyRAkGtqn-RSMr_lH_P01h6XB0mtDYqE6t4XKN8iX6mf32b83lt2aX8BEIZUP2E-fu2JVkR4qgB0IR5WSKJCNg2OXXhdKmFeLiMT3Wd1Cd7aRrskwrKNUF/s320/KB_Blues_fr.jpg" /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Kenny Burrell - Blues The Common Ground</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> - 1968</span></span></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Musicians:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Kenny Burrell (Guitar)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Herbie Hancock (Piano) - 1-5,7-11</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Ron Carter (Double Bass) - 1-5,7-11</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Grady Tate (Drums) - 3-5,7,9,11</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Don Sebesky (Arranger and Conductor) - 1-5,7,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Jimmy Cleveland (Trombone) - 1-5,7,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Wayne Andre (Trombone) - 1-5,7,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Jerome Richardson (Woodwinds and Reeds) - 1-5,7,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Johnny Pacheco (Percussion) - 1-5,7,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Bill Watrous (Trombone) - 1,2,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Paul Faulise (Trombone) - 1,2,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Snookie Young (Trumpet) - 1,2,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Jimmy Owens (Trumpet) - 1,2,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Bernie Glow (Trumpet) - 1,2,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Don Butterfield (Tuba) - 1,2,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Donald McDonald (Drums) - 1,2,8,10</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Urbie Green (Trombone) - 3-5,7</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Tony Studd (Trombone) - 3-5,7</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Ernie Royal (Trumpet) - 3-5,7</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Jimmy Nothingham (Trumpet) - 3-5,7</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Thad Jones (Trumpet) - 3-5,7</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Harvey Phillips (Tuba) - 3-5,7</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Tracks:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">01 Everydays (Stephen Stills) 3:20</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">02 Every Day (I Have The Blues) (Memphis Slim) 3:21</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">03 The Preacher (Horace Silver) 3:00</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">04 Angel Eyes (Matt Dennis/Earl Brent) 4:03</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">05 The Common Ground (Kenny Burrell/Warren Stephens) 2:53</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">06 Were You There? (Traditional) 1:16</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">07 Burning Spear (Richard Evans) 2:48</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">08 Wonder Why (Nicholas Brodszky/Sammy Cahn) 4:00</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">09 Soulful Brothers (Kenny Burrell/Warren Stephens) 5:37</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">10 See See Rider (Ma Rainey) 3:31</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">11 Sausilito Nights (Kenny Burrell/Warren Stephens) 4:11</span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">When it comes to Kenny Burrell, a title like Blues -- The Common Ground speaks volumes. His approach always keeps in mind the connection of jazz to the blues, infusing his guitar with a soulful, hard bop edge. Recorded in 1967 and 1968, Blues -- The Common Ground finds Burrell backed by lots of brass and wind instruments for most of the album, hardly his usual setting. But his guitar successfully weaves in and out of songs like "Every Day ( I Have the Blues )" and "Burning Spear," blending with the band and creating a pleasant balance. Much of this works thanks to arranger Don Sebesky's tasteful settings. Sebesky seems to have an instinctive grasp of when to sit on the band and when to let it fly loose. There's the late-night, gentle feel of "Angel Eyes," and the more animated setup on the title cut. The only time this doesn't work is on pieces like "The Preacher" and "See See Rider," where the upbeat horns and shrill flutes remind one of a "groovy" soundtrack from a bad '60s movie. It's also interesting to note that the album's unusual song choices, like "Everydays" by Stephen Stills, do find common ground in the blues. There's a beautiful, short solo piece, "Were You There?," and two quartet pieces, "Sausalito Nights" and "Soulful Brothers." Blues -- The Common Ground holds up well, and the 2001 reissue offers Burrell fans a cleaned-up version of this fine album. ~ Ronnie D. Lankford Jr., AMG</span></span><br />
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">http://www.h33t.com/details.php?id=fd61b07b43fd1deec94e4d6cc7dc2e24f4ae0732</span></span><br />
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<span class="Apple-style-span" style="font-size: large;"><br /></span></div>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-49929955108443169182011-03-24T17:03:00.001-02:002011-03-24T17:04:10.567-02:00Kenny Burrell - Recapitulation<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><br /></span><br />
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<table border="0" cellpadding="0" cellspacing="1" class="lista" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial;"><tbody>
<tr><td class="lista" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial;"><span class="Apple-style-span" style="color: black; font-size: large;"><span class="Apple-style-span" style="color: white; font-family: inherit; font-size: x-small;"><img border="0" src="http://lh4.google.com/MyJazzWorld/R88GiTybGDI/AAAAAAAAB6E/fg4-wVzqXss/s288/KennyBurrrell_Recapitulatio.jpg" /></span><br /><span class="Apple-style-span"><span class="Apple-style-span" style="font-family: inherit;">Kenny Burrell - Recapitulation </span><br /><br /><span class="Apple-style-span" style="font-family: inherit;">Musicians:</span><br /><span class="Apple-style-span" style="font-family: inherit;">Kenny Burrell (guitar)</span><br /><span class="Apple-style-span" style="font-family: inherit;">Illinois Jacquet (tenor sax)</span><br /><span class="Apple-style-span" style="font-family: inherit;">Hank Jones, Richard Wyands (piano)</span><br /><span class="Apple-style-span" style="font-family: inherit;">Milt Hinton, Martin Oliver, Ben Tucker, Richard Davis (bass)</span><br /><span class="Apple-style-span" style="font-family: inherit;">Elivin Jones, Roy Haynes, Morris Jennings, Oliver Jackson (drums)</span><br /><br /><span class="Apple-style-span" style="font-family: inherit;">Tracks CD 1: </span><br /><span class="Apple-style-span" style="font-family: inherit;">01 Mother In Law</span><br /><span class="Apple-style-span" style="font-family: inherit;">02 Hot Bossa</span><br /><span class="Apple-style-span" style="font-family: inherit;">03 Isabella</span><br /><span class="Apple-style-span" style="font-family: inherit;">04 People</span><br /><span class="Apple-style-span" style="font-family: inherit;">05 The Tender Gender</span><br /><span class="Apple-style-span" style="font-family: inherit;">06 I'm A Fool To Want You</span><br /><span class="Apple-style-span" style="font-family: inherit;">07 Broadway</span><br /><span class="Apple-style-span" style="font-family: inherit;">08 Afternoon In Paris</span><br /><span class="Apple-style-span" style="font-family: inherit;">09 Tricrotism</span><br /><span class="Apple-style-span" style="font-family: inherit;">10 Just A Settin' And A Rockin'</span><br /><br /><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; font-family: inherit;">Tracks CD 2:<br />11 Well You Needn't<br />12 Suite For Guitar And Orchestra<br />13 I Want My Baby Back<br />14 Blues Fuse<br />15 Wild Man<br />16 My State, My Kansas, My Home<br />17 Pine Cones And Holly Berries<br />18 My Favorite Things<br />19 Suzy<br />20 Wild Is The Wind</span><br /><br /><span class="Apple-style-span" style="font-family: inherit;">"This compliation of the music of guitarist Kenny Burrell is part of the \"Chess Jazz Masters Series\", the 2-LP set was released in 1976 on Chess Records and features material from \"The Tender Gender\" (1966), \"Man At Work\" (1959), \"Ode To 52nd Street\" (1967), \"Illinois Jacket - The Message\" (1963), \"Hank Jones - Here's Love\" (1963) and \"Have Yourself A Merry Little Christmas\" (1966). Players include Richard Davis, Roy Haynes, Cleveland Eaton, Elvin Jones, Charles Stepney, Morris Jennings and many others.\"</span><br /><br /><span class="Apple-style-span" style="font-family: inherit;">Liner Notes:</span><br /><span class="Apple-style-span" style="font-family: inherit;">Burrell was born in Detroit in 1931. One of four brothers, all musicians, he taught himself the guitar while in high school, and worked locally with various bands before studying classical guitar at Wayne State University, where he graduated in 1955. In the mid 50's, Detroit was a good place for a jazz musician to come of age. The local talent included Hank, Thad and Elvin Jones, Paul Chambers, Barry Harris, Yusef Lateef, Billy Mitchell, Tommy Flanagan and many others. Burrell led his own bands and enjoyed brief stints with the likes of Dizzy Gillespie and Oscar Peterson before making the move to New York in 1955. He immediately carved a niche for himself in the studios, making a series of records for Blue Note and Prestige, appearing as a sideman on countless sessions, and even recording an album of vocals. His versatility is evident in the range of his discography, which ranges from a session co-led with John Coltrane to backup work for the Shirelles. </span><br /><br /><span class="Apple-style-span" style="font-family: inherit;">The present collection serves as an exemplary demonstration of his many facets, as reflected by the music he recorded for Argo/Cadet between 1959 and 1967. The earliest material stems from the 1959 engagement at New York's Village Vanguard which produced the album \"Man At Work\". These six selections on side two feature Burrell's trio with Richard Davis and Roy Haynes, who had previously worked together with Sarah Vaughn and would subsequently play important, albeit separate, roles in the music of Eric Dolphy. Excepting the attractive ballad \"I'm A Fool To Want You\", the titles are all jazz standards. The juxtaposition of \"Just A Settin' And A Rockin'\" and \"Well You Needn't\" reveals the undeniable kinship Monk has for Ellington. Of special significance is the inclusion of \"Afternoon in Paris\" and \"Tricrotism\" which were never previously released. </span><br /><br /><span class="Apple-style-span" style="font-family: inherit;">In 1963, Burrell was the featured sideman on two highly regarded albums by Illinois Jacquet and Hank Jones. \"Wild Man\" is a fast blues highlighted by six and a half steaming Burrell choruses until Jacquet roars in during the seventh. The two selections that follow it on side four are from Jones' \"Here's Love\", a record devoted to the score of Meredith Wilson's musicale. </span><br /><br /><span class="Apple-style-span" style="font-family: inherit;">All of side one, plus the rocking blues \"Suzy\", with it's curious staccato theme, comes from the popular album called \"The Tender Gender\". The title tune and \"Isabella\" illustrate how evocative a composer and player Burrell can be, while \"Mother in Law\" and \"Hot Bossa\" present him in a swing groove characterized by an earthier tone, stop-time sections, and astringent chords. \"People\" is an unaccompanied statement by the guitarist. Also from 1966 is \"My Favorite Things\", the cookingest and most secular selection from his \"Have Yourself A Soulful Little Christmas\" album. The session marked the beginning of Burrell's association with the Chicagoan composer-arranger-bassist recored producer Richard Evans, an association which would become memorable a year later when they made \"Ode To 52nd Street\". </span><br /><br /><span class="Apple-style-span" style="font-family: inherit;">One of the most widely acclaimed albums of the 60s was Burrell's 1965 collaboration with Gil Evans on the Verve album \"Guitar Forms\". It was an ambitious meeting of soloist and arranger showing Burrell's many talents as no other record had: it started a series of orchestrated Burrell albums, the best of which was \"Ode To 52nd Street\" with \"Suite For Guitar And Orchestra\". Here is a four part suite that perfectly underscores the tasteful modesty and uncomprimising muscianship of both Burrell and Evans (no relation to Gil). It is an unpretentious work that was an unexpected, exquisite gem in 1967, and seems something of a classic today. Burrell is heard on both electric and acoustic guitar, both at balladic and swinging tempos, playing flowing, rippling melodies as well as muted, highly rhythmic effects. The unusual orchestra, mostly brass and strings, plays the work brilliantly and never recedes from full-scale collaboration. Like Ralph Burns' \"Summer Eloquence\", it is a delicate, timeless gem. Completing this collection is Burrell's great blues waltz \"I Want My Baby Back\", \"Blues Fuse\" and \"Wild Is The Wind\". ~ Gary Giddins</span><br /></span></span><br />
<span class="Apple-style-span" style="color: black; font-size: large;"><span class="Apple-style-span">http://www.h33t.com/details.php?id=375b994d0ff66c6566bdf4efde2bed6669f1ec00<br /><br />http://www.h33t.com/details.php?id=bb51e61cf1c2684158dbe57dae7f2492efcb880d</span></span></td><td class="lista" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; font-family: inherit;"><br /></td><td class="lista" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; font-family: inherit;"><br /></td><td class="lista" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; font-family: inherit;"><br /></td></tr>
</tbody></table>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-58367607136254898272011-03-23T19:55:00.000-02:002011-03-23T19:55:12.432-02:00Tania Maria & Viva Brazil Quartet - Live at the Blue Note (2002)<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsWkEUzyzE1VrudzNYCo34kkWDN9j_GFs0XTIl3z-E6Web6HVWe7vrgLv-VMB2g25sWJzx1c-Y49WD62CcjqGgKDKoj1yg9Rr3_q1auZCJPWvl73KdRmjclUtCV2evOhdk0POw26q7V6B-/s320/TM_Live_fr.jpg" /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Tania Maria & Viva Brazil Quartet - Live at the Blue Note</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> (</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">2002)</span></span></span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Musicians:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Tania Maria (Piano, Synthesizer and Vocals)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Luiz Augusto (Drums)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Carlos Werneck (Bass Guitar)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Mestre Carneiro (Percussion)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Tracks:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">01 Funky Tamborim (Tania Maria/Correa Reis) 8:11</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">02 Quase (Charles Mangione/Jorge Goncalves) 6:43</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">03 Granada (Augustin Lara) 7:25</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">04 Bom Bom Bom Tchi Tchi Tchi (Tania Maria/Correa Reis) 9:31</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">05 Valeu (Tania Maria/Correa Reis) 9:20</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">06 E' Carnaval (Tania Maria/Correa Reis/Van Gibbs) 6:51</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">07 Florzinha (Sidney Bechet/Tania Maria/Correa Reis) 7:07</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">08 Minha Mae and Sangria (Tania Maria/Correa Reis) 6:08</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span></span></span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Most albums by Brazilian female vocalists follow the styles of the queens of the music, like Astrud Gilberto or Gal Costa, making records that are either smoothly romantic or rhythmically kinetic. On 2002's Live at the Blue Note, Tânia Maria delivers an impressive set that owes little to either style. Maria's band, the Viva Brazil Quartet, owes at least as much to hard boppers like the early-'60s Miles Davis group as it does to Antonio Carlos Jobim, and Maria's idiosyncratic, highly percussive keyboard style is much more Cecil Taylor than Walter Wanderley. The recording is rather oddly mixed, with Maria's piano and synthesizer in the forefront, her equally distinctive vocals much farther back, and Carlos Werneck's guitar and bass sometimes barely audible, but the performances are uniformly first-rate. Maria sings in both English and Portuguese, sometimes switching mid-song, but at her most transcendent, Maria breaks into wordless flights of sound, as on the exhilarating "Granada" and the whistled choruses of the ballad "Valeu." At these moments, the occasionally herky-jerky rhythms and fractured melodies coalesce into something magical. Live at the Blue Note may be a bit advanced for those who are just looking for some romantic bossa nova music, but it's an excellent starting point for discovering Tania Maria. ~ Stewart Mason, AMG</span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span><br />
<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">http://www.h33t.com/details.php?id=5c901b84e57969c56a46f4fcac6722f08ea7a49e</span><br /></span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-72321855430502797232011-03-23T19:52:00.000-02:002011-03-23T19:52:01.169-02:00George Benson Quartet - The George Benson Cookbook (1966)<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; font-family: inherit;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpDK0YqKjAFv0SQw8A2dZHdmUMl1k7wP6HIU1LsRNG9ZdPqyGNyQY7HUtX6gDDTddFAH8C-u2e-GfIpXB-gPDPVzFN83vMl6EtjM1q5qR1lCCJSnkipsje5nmPMI8nbIPek-qKAy1X9dEY/s320/GB_Cookbook_fr.jpg" /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; font-family: inherit;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">George Benson Quartet - The George Benson Cookbook (1966)</span></span><br />
<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span><br />
<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Musicians:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">George Benson (Guitar & Vocal)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Lonnie Smith (Organ)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Ronnie Cuber (Baritone Saxophone)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Bill Kaye (Drums) - 2-4,7,10,13</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Marion Booker (Drums) - 1,5,6,9,11,14</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Jimmy Lovelace (Drums) - 8,12</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Bennie Green (Trombone) - 2-4,7,10,13</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Al Hall (Trombone) - 2-4,7,10,13</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Albert Winston (Fender Bass) - 1-7,9,10,13</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Lenny Seed (Congas) - 2-4,7,13</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">King Curtis (Tenor Saxophone) - 9,11,14</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Blue Mitchell (Trumpet) - 11,14</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Tracks:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">01 The Cooker (George Benson) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">02 Benny's Back (George Benson) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">03 Bossa Rocka (George Benson) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">04 All Of Me (Gerald Marks/Seymour Simons) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">05 Big Fat lady (George Benson) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">06 Benson's Rider (George Benson) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">07 Ready and Able (Jimmy Smith) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">08 The Borgia Stick (George Benson) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">09 Return Of The Prodigal Son (Harold Ousley) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">10 Jumpin' With Symphony Sid (Lester Young) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">11 The Man from Toledo (George Benson) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">12 Slow Scene (George Benson) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">13 Let Them Talk (Little Willie John) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">14 Goodnight (George Benson) </span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">The second of Benson's John Hammond-produced albums is far and away the superior of the pair, mixing down-to-basics, straight-ahead jazz with soul-drenched grooving. Suddenly Benson's backup group - same as that of Uptown, with Benny Green added on trombone now and then - has found its bearings and apropos to the title, they can cook, even sizzle. The effect upon Benson's own playing is striking; with something to react against, his sheer ability to swing advances into the realm of awesome. The rapid-fire work on "The Cooker" and "Ready And Able" will make you gasp. Only one vocal here, an exuberant "All Of Me." [ In mid-2001 Columbia/Legacy reissued this 1966 classic, along with It's Uptown, recorded only several months earlier. Four bonus tracks include a (previously unreleased) doo wop vocal rendition of Little Willie John's "Let Them Talk" and two Benson originals that are pure rock-n-roll: "The Man from Toledo" and "Goodnight. " Two of the bonus cuts are preceded by control-booth comments from the session's legendary producer, John Hammond. ] ~ Richard S. Ginell, AMG</span></span><br />
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit;">http://www.h33t.com/details.php?id=e95c25aee59a27b9650e8f9c84fc1576186ebfb4</span></span><br /></span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-61453324059636284812011-03-23T19:48:00.000-02:002011-03-23T19:48:23.804-02:00Wes Mongomery - Complete Live in Paris (1965)<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvi50mbKQvPuvWjHQAIFtosc1AKFlW6p1b5Oli19GChpqyhhmzKifMYOD1NC3ZPrG4VzsbxPDg8qgIFGXd5crzFRxuRFkMnEQkgvyMkSQd__H_vhVNa5z0Rb_SbARH7Xfr_XEJFziQdbw/s320/8436006492440.jpg" /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Wes Mongomery - Complete Live in Paris </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> (1965)</span><br /><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Musicians:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Wes Montgomery (guitar)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Harold Mabern (piano)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Arthur Harper (bass)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Jimmy Lovelace (drums)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Johnny Griffin (tenor sax on CD2 #3 #5)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Tracks CD 1:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">1 Four on Six</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">2 Twisted Blues</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">3 Impressions</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">4 To When</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">5 Jingles</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Tracks CD 2:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">1 The Girl Next Door</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">2 Here's That Rainy Day</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">3 Round About Midnight</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">4 Full House</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">5 Blue and Boogie/West Coast Blues</span></span></span></span><br />
<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Now I know what it feels like to discover an unknown Renoir work, although to be fair a friend from the West Coast turned me on to this. Released this year, Wes in Paris - Live - in 1965, is a treasure chest. Recorded right in the middle of his 'change-over' period, Wes is so appreciative of this Paris venue and audience that he gives them his best, ever. A 2 Disc set with outrageous sound, this one completes a trilogy of Live Wes that includes "Smokin' At The Half Note", "Full House", and now this INCREDIBLE performance. The personnel are: Harold Mabern, piano; Arthur Harper, bass; Jimmy Lovelace, drums and a special treat - Johnny Griffin on 3 tracks, including the showstopping "Full House" track (listen to the audience and Wes' audible response to this kind of appreciation, whilst he was being skewered for 'selling out' in his own country). The groove laid down is a little more "classic" jazz, and maybe a bit less "groove-oriented" than Wynton Kelly's Trio, but it matters not one bit. It's more Wes, and Live no less! Wait until word gets around about this ~ douglas negley</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Wes is admittedly more "aggressive" in his playing on this occasion, partly due to his band mates and the nature and length of the program. Unlike the grooving, always "in the pocket," rhythm section of "Smokin' at the Half Note" (Kelly, Chambers, Cobb), the Harold Mabern-led rhythm section gives the music a forward edge, or emotive quality, suggestive of Coltrane and McCoy. The result is often music based on tension and release rather than melodic inventiveness - leading to some purely "physical" playing and grandstanding on the parts of Mabern and tenor saxophonist Johnny Griffin (the two ballads opening the second disk are my favorite moments of the concert).</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">The audio is acceptable - and thankfully the balance favors Wes' guitar, which sounds as "fat" and consistent as ever. But I suspect this recording won't wear as well with me and other non-guitarists as his meetings with Wynton Kelley, Milt Jackson, and Jimmy Smith, not to mention the classic Riverside studio albums. If there were more of Wes on record, I'd give this one 4 stars. Pick it up only if you have "Smokin'," "Full House," and "The Incredible Artistry." ~ Samuel Chell</span><br /></span><br />
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<span class="Apple-style-span" style="font-family: inherit; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-35646476021597046882011-03-23T19:42:00.000-02:002011-03-23T19:42:58.394-02:00John Coltrane & Tadd Dameron - Mating Call (1956)<br />
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<tr><td class="lista" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial;"><span class="Apple-style-span" style="color: black; font-family: inherit; font-size: large;">John Coltrane & Tadd Dameron - Mating Call (1956)<br /><br /><span class="Apple-style-span" style="color: black; font-family: inherit; font-size: large;">Musicians:<br />John Coltrane : tenor saxophone<br />Tadd Dameron : piano<br />John Simmons : bass guitar<br />Philly Joe Jones : drums<br /><br />Tracks:<br />01 Mating Call<br />02 Gnid<br />03 Soultrane <br />04 On a Misty Night<br />05 Romas</span><br /><span class="Apple-style-span" style="font-family: inherit;">06 Super Jet</span><br /></span></td></tr>
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" This fine set, recorded on November 30, 1956, has been reissued several times, often as a John Coltrane date, but make no mistake, this is a Tadd Dameron session, and his elegant compositions are its key component. Coltrane was fresh off playing with Miles Davis in 1956 and was still a year away from heading his own sessions and three years away from recording Giant Steps, so it might be said that he was in transition, but then when was Coltrane not in transition? Dameron wisely gives him plenty of space to fill, and the rhythm section of John Simmons on bass and the great Philly Joe Jones on drums (not to mention Dameron’s own characteristically bass-heavy piano style) give Trane a solid bottom to work with, and if the spiritual and edgy emotion of his later playing isn’t quite in place yet, you can feel it coming. But again, this is Dameron’s date, with each of the six selections an original Dameron composition. There’s so much to marvel at here, including the Bahamian rhythms of the title track, “Mating Call,” the gorgeous build of “Soultrane” (often the title when this set is issued as a Coltrane date) and the undeniable grace and elegance of “On a Misty Night” (based in part on the melody line to “September in the Rain”). The straight blues piece “Romas” is also a lot of fun, particularly for Coltrane. Mating Call, or whatever title it sports, whether under Dameron’s name or Coltrane’s, is a solid and frequently overlooked gem. Don’t hesitate to pick it up. "</span></td></tr>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">http://www.h33t.com/details.php?id=87fef07a3209e3ce9d7bcd6bcef7dbda2c2eb1fe</span>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-51524312834544950582011-03-23T19:35:00.000-02:002011-03-23T19:35:43.680-02:00Grant Green - Am I Blue (1963)<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px;"> </span><br /><span class="Apple-style-span" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: x-small;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"></span></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px;"></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSGj_-iEmUj9Xy15jyfJmidtf0-VXVgu6jDxD2Mkox6Tmz1nxbT0Jl9d-Ury4cScY0VecdGWRwxzpVn06fkYpZUBr-4F4u9gUD6XE54hf61ZB7yR3avezCmSSeyzHHJrAP00W5AHb0mXc/s320/GG_Am_fr.jpg" /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px;"><br /></span><span class="Apple-style-span" style="font-family: inherit; font-size: large;">Grant Green - Am I Blue (1963)<br /><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Musicians:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Grant Green (Guitar)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Joe Henderson (Tenor Saxophone)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Johnny Coles (Trumpet)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">John Patton (Organ)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Ben Dixon (Drums)</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">Tracks:</span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">01 Am I Blue (Harry Akst/Grant Clarke) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">02 Take These Chains From My Heart (Hy Heath/Fred Rose) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">03 I Wanna Be Loved (Johnny Green/Edward Heyman/Billy Rose) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"> </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">04 Sweet Slumber (Lucky Millinder/Al J. Neiburg/Henri Woode) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;">05 For All We Know (J. Fred Coots/Sam M. Lewis) </span><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px; color: white;"><br /></span></span><br />
<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit; font-size: large;"><br /></span></span><br />
<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit; font-size: large;">"Am I Blue" features the classic Green/Patton/Dixon ensemble plus Johnny Cole and Joe Henderson on horns in a delightful yet unusually laid back vain. The gospel influence in John's playing is particularly evident on this recording, as is his minimalist philosophy. (If you don't have to play it, don't) Ironically, in his latter years, due to a strange accident with a car jack which would injure a tendon in his hand he would not have use of his pinky and fourth finger, yet could still create some of the richest and most amazing connections on the organ as well as develop very rich and lucid solo ideas ! The showstopper on the CD is the light and bouncy For All We Know... Of course, Johnny Coles and a then newcomer and relatively unknown Joe Henderson definitely get their word in, but it is amazing to hear John's passing chords behind them. Grant Green typically lays out, listening, listening, listening, listening (which is what a soloist needs to be doing when his other bandmates are playing... not playing over them, or holding coversations, but listening and taking in the dialogue). Finally, Grant comes in and is as crisp, melodious and swinging and used expect him to be... throwing in a few surprise left hooks as well! - - Last word goes to John... who in turn not only takes a well crafted single note solo, but digs down with a real nifty shout chorus as well (though admittedly I will ever have to admit that Johnny Hammond Smith and Wild Bill will ever have him beat on that.) With Ben Dixon in his corner, however, he does take it home quite masterfully ! of note: That's the one thing that distinguishes a Grant Green session from one of those sessions where people are trying to copy such a session - - you can really tell the players are listening to each other, providing a lot of space and responding to one another's ideas! True Jazz masters are at their best not when they're showing off what they know... but when they're really listening and responding to what's going on around them. Then magic occurs, as was the historical case of John Coltrane's layer of sound discovery. - by Eddie Landsberg, Amazon.com<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><br /></span></span></span><br />
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<span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 1px; -webkit-border-vertical-spacing: 1px;"><span class="Apple-style-span" style="font-family: inherit; font-size: large;">http://www.h33t.com/details.php?id=b99f0fb353a0e23167b4b15612f519fb70437f04</span></span><br />
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<br /></div>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-13058911211262949982011-03-23T19:32:00.002-02:002011-03-23T19:37:36.948-02:00Dizzy Gillespie - Afro (1954)<br />
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<tr><td class="lista" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial;"><span class="Apple-style-span" style="color: black; font-size: large;">Dizzy Gillespie - Afro (1954)<br /><br />Musicians:<br />Quincy Jones Trumpet | (1-4)<br />Jimmy Nottingham Trumpet | (1-4)<br />Ernie Royal Trumpet | (1-4)<br />Leon Comegys Trombone | (1-4)<br />J. J. Johnson Trombone | (1-4)<br />George Matthews Trombone | (1-4)<br />George Dorsey Alto Saxophone | (1-4)<br />Hilton Jefferson Alto Saxophone | (1-4)<br />Hank Mobley Tenor Saxophone | (1-4)<br />Lucky Thompson Tenor Saxophone | (1-4)<br />Danny Bank Baritone Saxophone | (1-4)<br />Ray Concepcion Piano | (1-4)<br />Wade Legge Piano | (1-4)<br />Lou Hackney Bass | (1-4)<br />Robert Rodriguez Bass |<br />Jose Manguel |<br />Candido Camero Congas |<br />Mongo Santamaria Congas | (1-4)<br />Ubaldo Nieto Timbales |<br />Charlie Persip Drums | (1-4)<br />Rafael Miranda Percussion | (5-7)<br />Alejandro Hernandez Piano | (5-7)<br />Gilberto Valdez Flute | (5, 7)<br />Chico O'Farrill Arranger, Conductor | (1-4)<br /><br />Tracks 1-4 recorded May 21, 1954 at Fine Sound, New York City<br />Tracks 5-7 recorded June 3, 1954 at Fine Sound, New York City<br /><br />Tracks:<br />01 Manteca Theme<br />02 Contraste<br />03 Jungla<br />04 Rhumba Finale<br />05 A Night in Tunisisa<br />06 Con Alma<br />07 Caravan</span></td></tr>
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<span class="Apple-style-span" style="font-size: large;"><br />Everything about this incredible Dizzy Gillespie LP screams "masterpiece". From the classic Manteca Suite (1-4), written by Cuban genius Chico O’Farrill, to the dionysian Caravan, to the incredible list of band members, a virtual who's who of Afro-Cuban jazz luminaries, right down to the stupendous cover art by David Stone Martin. If you enjoy your jazz latin-tinged, this is the one to go for.<br /><br />This cd is a great moment in jazz history. The arrangements are perfect; the performances from this large ensemble are tight. A musical unit at the height of its ability playing a unique set of numbers. Dizzy's solos are unbelievable. Manteca and Caravan especially are powerful performances. One may have qualms with the version of "Night in Tunisia," as it uses flute as one of the lead instruments, but it's an interesting variation-- though you haven't heard it till you've heard Bird and Diz do it on sax and trumpet. The numbers are highly percussive, with an array of African drums going. It's intense, innovative and I've never heard another cd like it. ~ Amazon Customer<br /><br />It's about 1:30 AM as I listen to a copy of Dizzy Gillespie's "Afro" that came in the mail today. The CD itself is a digitally remastered 24-bit limited edition release. I don't even really have a system nice enough to really take advantage of the sound. Still, my mind is almost meltin' outta my ears as I listen to this mindblowing marriage of "Afro-Cuban Vs. Afro-American" jazz.<br /><br />I would say that it's like nothing I've ever heard...but that wouldn't be accurate. I grew up listenin' to jazz and so-called "latin" music as much as R&B and hip hop. It would prolly be more accurate to say that it's like nothing I've heard in years. And, in fact, I'm almost dumbfounded that I've never heard this album until now.<br /><br />Dizzy Gillespie has always been one of my favorite jazz musicians, second only to Miles Davis--and it's an extremely close second. Dizzy's "A Night in Tunisia" (he's recorded several versions, right?), has been one of my favorite numbers since I was a kid. Tonight, for example, I'm now well into the 19th or 20th replay of the 1954 version on this album--and there's still two more tracks on the CD to go!<br /><br />For years I've played the "if you had to be stuck on a desert island with ten albums, which ones would they be?" game with friends and acquaintances. I'm not even gonna torture myself over exactly who it's gonna be...but Dizzy Gillespie just replaced someone on that list tonight. ~ Paco Taylor<br /><br />http://www.h33t.com/details.php?id=7c2dc48be4243ee9dfe0118a6901f7416d06bc23</span></span></td></tr>
</tbody></table>Augusto Sennahttp://www.blogger.com/profile/04544315953218927491noreply@blogger.comtag:blogger.com,1999:blog-6822093058043060647.post-10106613039023366812011-03-23T19:08:00.001-02:002011-03-23T19:12:51.493-02:00WHO WILL KEEP THE SEEDS?<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Dear Friends,</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">First I'd like to thanks all of you that prestige our address.</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Second I made a rapid class about "torrents"...</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">You must download a program, like: u-torrent</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">When you run it you can catch files on the web.</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">I decide to publish some torrent links 'cause I have difficult with some serve broken links.</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Now let's try it! </span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">You can download a superb album of an amazing Brazilian Jazz Quartet.</span><br />
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<pre><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 5px; -webkit-border-vertical-spacing: 5px;"><b>...</b></span></span></pre>
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<pre><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 5px; -webkit-border-vertical-spacing: 5px;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; white-space: normal;"><table border="0" cellpadding="0" cellspacing="1" class="lista" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial;"><tbody>
<tr><td class="lista" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Brazilian Jazz Quartet - Coffee and Jazz [Columbia 1958]
<img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGFhZRXPbDGIagVkW3xfGNbRLf-t6hsMaeEYYejaC6n7LVDVc_oZkoRjbHzUVyBOlp8jdHxdsDQ-3Xmw4LuYyTGxqAsDWTFGHZeYh9GcDldr1NcWh31ZySpK5DhDgHBgejK2zGCQC7QyI/s400/CapaLFront-CoffeeJazz.jpg" /> </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">This truly awesome album was released in 1958. As a matter of fact, this group should be considered as a sort of embryo of the legendary "Zimbo Trio". </span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Musicians: </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Casé (Jose Ferreira Godinho Filho) - sax;</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Moacyr Peixoto - piano;</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Luiz Chaves - doublebass;</span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Rubens Barsotti (Rubinho) - drums.</span><br />
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Tracks: </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">01 The Lonesome Road </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">02 When Your Lover Has Gone </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">03 Cop-Out </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">04 Black Satin </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">05 Makin' Whoopee </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">06 No Moon at All </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">07 Old Devil Moon </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">08 Don't Get Around Much Anymore </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">09 You'd be so Nice to Come Home To </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">10 I will Close my Eyes </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">11 Alone </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: large;">12 Too Marvelous for Words
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